Looking into it, I was once again startled by the way Apollo takes the Trojan's side against the Greeks (a.k.a. the Achaians). The following takes place after a Trojan priest prays to Apollo to kill some Greeks:
Phoibos Apollo laid to heart his prayer.Note also that we think of Apollo as a god of healing, but here he is spreading a killing illness. The Greek gods were not of the all-benevolent variety!
From mountain-dome Olympos down in quick
Descent he sprang, downright indignantly
To shoot the camp and make Achaians sick.
In correspondence, Light pointed out that the plot of the Iliad bears a curious resemblance to the plot of Atlas Shrugged: both involve a man of tremendous talent going "on strike." I don't think we should make too much of it, but I like to joke that Atlas is "the men of mind on strike" but that the Iliad is "the man of muscle on strike." In a way that's unfair to Achilles. He's more than just "a man of muscle." But strong, fast, and deadly he certainly is.
Light translates the Iliad into sequences of sonnets, each consisting of 3 quatrains and a couplet. The quatrains, as you see above, usually only have the even lines rhymed. I'm not sure I think this schema is a good idea, but it's certainly an interesting one!
The verse often turns heavily alliterative, reminding me a bit of Old English:
"The man's possessed whose mind is poisonous.Anyway, it's a very interesting and idiosyncratic effort. Sometimes it loses me, but there are places where it flashes some real power.
Not fore and after in purveyance will
Atreyedes take heed to save his horde
Beside the ships, who mandates would fulfill
With madness."
In the story, most of the gods
Choose one or the other side.
Who can calculate the odds
When divinities collide?
I came to enjoy the dense language and sonnetic structure. I saw the Iliad as an ancient equivalent of a case study text for Persuading the Powerful 101.
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Thank you, technomist. Your comments on the Iliad look very interesting!
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