Something I realized only yesterday:
These two ten-minute plays of mine - the ones I have coming up in festivals in May and June - have something conspicuous in common: each centers on an interrogation.
The methods of interrogation are actually quite opposite. The genres are deeply dissimilar - realistic police procedural vs. science fiction comedy. The themes of the two festivals are not related: "empathy" vs. "graduation party".
But somehow my under-brain wanted to write about interrogation, apparently. I have no idea why, offhand. I mean, it's a topic I'm interested in, but I don't recall any conscious fascination with it lately.
I let my writing gift me with a puzzle.
Better, I feel, than putting on a muzzle.
The Muse, to be seduced, must be obeyed.
Without her aid, the play does not get made.
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