It’s possible to write a sonnet which is so prosaic in its subject matter, that though its meter flows without a hitch, it sounds so much like ordinary patter that if you write it without breaks in lines the unsuspecting reader may not see the format follows classical designs, quite suitable for soaring poetry, but here constricted to dull observations about the fact that verse forms without feeling do little to ignite imaginations and nothing to set tender spirits reeling. Real poetry requires a certain drive, a pulsing power to make you feel alive.
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