I was telling a friend, the other day, that the script of a play is like a skeleton - and the flesh is put on by the cast, director, and crew.
She asked how a play of mine would be performed ideally, and I opined in turn that I didn't envision a specific ideal, that these other artists were required to make the play real.
She was surprised, but I argued that a play script is much less fully-specifying than an orchestral script. I think that's partly because actors are much less standardized than cellos!
Every creative actor
is an individual factor
in getting a script
fully equipped.
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